Wir haben noch keine Beschreibung zu dem Film The King of Kong. Unterstütze die Community und erstelle eine deutsche Beschreibung bei The Movie. Übersetzung im Kontext von „, King Kong“ in Englisch-Deutsch von Reverso Context: king kong. Der Titel The King of Kong: A Fistful of Quarters heißt zu deutsch „Der König von Kong, eine Hand voller Quarters“. Mit dem Wort Quarter wird in den USA die.
Übersetzung für "king kong" im DeutschSpitzenrezensionen aus anderen Ländern. Übersetzen Sie alle Bewertungen auf Deutsch. Übersetzung im Kontext von „king kong“ in Englisch-Deutsch von Reverso Context: Complete each level by survive from king kong troop assault, and find the. Wir haben noch keine Beschreibung zu dem Film The King of Kong. Unterstütze die Community und erstelle eine deutsche Beschreibung bei The Movie.
The King Of Kong Deutsch Technische Details VideoSteve Wiebe Interview: King of Kong, Billy Mitchell, and Twitch The King of Kong: A Fistful of Quarters () - IMDb Directed by Seth Gordon. With Steve Wiebe, Billy Mitchell, Mark Alpiger, Adam Wood. Die-hard gamers compete to break world records on . The King of Kong: A Fistful of Quarters Streaming Film p, p, DvdRip, Hight Quality Schau jetzt:The King of Kong: A Fistful of Quarters Deutsch Ganzer Film Online HD The King of Kong: A Fistful of Quarters länge: 83 Minutes The King of Kong: A Fistful of Quarters release date germany: . The King of Kong: A Fistful of Quarters german stream online komplett The King of Kong: A Fistful of Quarters () stream deutsch ⭐⭐⭐⭐⭐ sehen The King of Kong: A Fistful of Quarters STREAM DEUTSCH KOMPLETT () online subtitrat SEHEN Deutsch HD unequivocalnotion.com, The King of Kong: A Fistful of Quarters kinostart ganzer film deutsch , The King of Kong: A Fistful of .
Zimmerman , the film focuses on themes such as celebrity worship and American media culture. Production began in New York on June 1, in order to avoid clashing with a forthcoming writers' strike,  and opened the Cannes Film Festival in This would be Lewis' final film for Fox.
Rupert Pupkin is a delusional and aspiring stand-up comedian trying to launch his career. After meeting Jerry Langford, a successful comedian and talk-show host, Rupert believes his "big break" has finally come.
He attempts to book a spot on Langford's show, but is continually rebuffed by his staff and finally by Langford himself.
Along the way, Rupert indulges in elaborate and obsessive fantasies in which he and Langford are colleagues and friends. Hoping to impress, Rupert invites a date, Rita, to accompany him when he shows up uninvited at Langford's country home.
When Langford returns home to find Rupert and Rita settling in, he angrily tells them to leave. Rupert continues brushing off Jerry's dismissals and Rita's urging until Jerry finally retorts that he had only told Rupert he could call him so Jerry would get rid of him.
Bitterly vowing to work "50 times harder", Rupert finally leaves. Exhausted with rejection, Rupert hatches a kidnapping plot with the help of Masha, a fellow stalker similarly obsessed with Langford.
As ransom , Rupert demands that he be given the opening spot on that evening's episode of Langford's show guest hosted by Tony Randall and that the show be broadcast in normal fashion.
The network's bosses, lawyers and the FBI agree to his demands, with the understanding that Langford will be released once the show airs.
Between the taping of the show and the broadcast, Masha has her "dream date" with Langford, who is taped to a chair in her parents' Manhattan townhouse.
Langford convinces her to untie him under the disguise of seduction, to which he seizes the gun, only to find it is a toy gun loaded with faulty pellets.
He slaps Masha and flees downtown, where he angrily sees Rupert's full stand-up routine on a series of television display sets.
Meanwhile, Rupert's act is well received by the studio audience. In his act, he describes his troubled upbringing while simultaneously laughing at his circumstances.
Rupert then closes his act by confessing to the audience that he kidnapped Langford in order to break into show business. As the audience still laughs thinking it's still a part of his act , Rupert responds by saying: "Tomorrow, you'll know I wasn't kidding and you'll all think I'm crazy.
But I figure it this way: better to be king for a night than a schmuck for a lifetime. The film ends with a news report of Rupert's crime, his six-year prison sentence and parole after two years, set to a montage of storefronts stocking his "long-awaited" autobiography , King for a Night , which states that Rupert still considers Langford his friend and mentor and that he is currently weighing several "attractive offers," including comedy tours and a film adaptation of his memoirs.
Rupert later takes the stage for a television special with a live audience, where an announcer enthusiastically introduces him as the King of Comedy while Rupert himself prepares to address his audience.
After Raging Bull was completed, Scorsese thought about retiring from feature films to make documentaries instead because he felt "unsatisfied" and had not found his " inner peace " yet.
De Niro was not interested and preferred their next collaboration to be a comedy. He had purchased the rights of a script by film critic Paul D. Ultimately, Fosse passed on the film in favor of directing Star 80 instead.
Scorsese pondered whether he could face shooting another film, particularly with a looming strike by the Writers Guild of America.
Producer Arnon Milchan knew he could do the project away from Hollywood interference by filming entirely on location in New York and deliver it on time with the involvement of a smaller film company.
Scorsese said he felt Lewis' performance in the film was vastly underrated and deserved more acclaim. After such a strong critical appreciation for the way in which Scorsese had shot Raging Bull , the director felt that The King of Comedy needed more of a raw cinematic style, one of which would take its cues from early silent cinema, using more static camera shots, and fewer dramatic close-ups.
Scorsese has noted that Edwin S. De Niro prepared for Rupert Pupkin's role by developing a "role reversal" technique, consisting of chasing down his own autograph-hunters, stalking them and asking them many questions.
As Scorsese remembered, he even agreed to meet and talk with one of his longtime stalkers:. The guy was waiting for him with his wife, a shy suburban woman who was rather embarrassed by the situation.
He wanted to take him to dinner at their house, a two-hour drive from New York. After he had persuaded him to stay in Manhattan, [De Niro] asked him, 'Why are you stalking me?
What do you want? My mom asked me to say hi. De Niro also spent months watching stand-up comedians at work to get the rhythm and timing of their performances right.
Fully in phase with his character, he went as far as declining an invitation to dinner from Lewis because he was "supposed to be at his throat and ready to kill him for [his] chance".
According to an interview with Lewis in the February 7, , edition of People magazine, he claimed that Scorsese and De Niro employed method acting tricks, including making a slew of anti-Semitic epithets during the filming in order to "pump up Lewis's anger".
Lewis said he was invited to collaborate on certain aspects of the script dealing with celebrity life. He suggested an ending in which Rupert Pupkin kills Jerry, but was turned down.
As a result, Lewis thought that the film, while good, did not have a "finish". In an interview for the DVD, Scorsese stated that Jerry Lewis suggested that the brief scene where Jerry Langford is accosted by an old lady for autographs, who screams, "You should only get cancer", when Lewis politely rebuffs her, was based on a real-life incident that happened to Lewis.
Scorsese said Lewis directed the actress playing the old lady to get the timing right. At the time he wrote his script, Paul D.
Zimmerman was inspired by a David Susskind show on autograph hunters and an Esquire article on a fanatical Johnny Carson follower.
Prompted by the alienation he felt from his growing celebrity status,  and De Niro's insistence that the film could be made "real fast", and that it would be a "New York movie"  Scorsese's interest in the project was rekindled.
Scorsese's first choice for talk show host Jerry Langford was Johnny Carson , in what would have been his only acting role in a film.
Carson refused the role, saying "you know that one take is enough for me". Arnon Milchan suggested shooting begin a month earlier than scheduled in order to avoid possible work stoppage from the DGA strike.
Furthermore, Scorsese was not in good health. Scorsese had suffered from poor health both before and during the film's production. He had previously worked on three films close together and not long after, found himself hospitalized due to exhaustion and pneumonia.
He had not recovered when shooting began. Robbie Robertson produced the music for the film's soundtrack and contributed his first original work after leaving The Band entitled "Between Trains".
The King of Comedy soundtrack is a mix of popular music and thematic orchestral scoring by composer Bob James.
King , Van Morrison and Ray Charles. A soundtrack album was released on vinyl and cassette by Warner Bros. Records in The soundtrack was finally released on compact disc by Wounded Bird Records in A digital restoration of the movie was presented on April 27, , as the closing film of De Niro's Tribeca Film Festival.
This latest version was produced from the film's original camera negatives and features a restored soundtrack. In , it was announced a stage musical for Broadway was to be made with Stephen Trask writing the music and lyrics, and a book by Chris D'Arienzo.
Although the film was well received by critics, it bombed at the box office. De Niro said that the film "maybe wasn't so well received because it gave off an aura of something that people didn't want to look at or know".
The site's critics consensus states, "Largely misunderstood upon its release, The King of Comedy today looks eerily prescient, and features a fine performance by Robert De Niro as a strangely sympathetic psychopath.
Time Out called it "Creepiest movie of the year in every sense, and one of the best". It's hard to believe Scorsese made it".
He also wrote, "Scorsese doesn't want laughs in this movie, and he also doesn't want release. The whole movie is about the inability of the characters to get any kind of a positive response to their bids for recognition.
It is also not a bad movie. It is frustrating to watch, unpleasant to remember, and, in its own way, quite effective.
Dave Kehr of the Chicago Reader gave the film a favorable review, calling it "clearly an extension of Taxi Driver " and the "uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way".
Which is a shame, because it's Scorsese's second-greatest film, after Taxi Driver ". David Ehrenstein , author of The Scorsese Picture , noted the mixed response of the film in his review.
He stated that The King of Comedy "cuts too close to the bone for either large-scale mass audience approval or unanimous mainstream critical acclaim".
He believed that the film presented a very critical portrayal of the Reagan administration in contrast to other films made during the administration's early years although the script was written well before Reagan's election, and shooting began less than five months after Reagan took office.
The triumph of the 'little guy' is revealed to be nothing more than lumpen neo-Fascist blood lust. She went on to write that "De Niro in disguise denies his characters a soul.
De Niro's 'bravura' acting in Mean Streets , Taxi Driver and New York, New York collapsed into 'anti-acting' after he started turning himself into repugnant flesh eggies of soulless characters Pupkin is a nothing.
Scorsese has called De Niro's role as Rupert Pupkin his favorite of all their collaborations. Sandra Bernhard , who plays Masha in the film, indicated in a interview that Jack Black was interested in a remake.
However, she dismissed the idea, saying it was "too late" to do it. The film's reputation has grown over time, with some ranking it among Scorsese's finest films.
Film scholar David Bordwell , writing in Film Viewer's Guide , mentioned the un reality of the ending as a topic for debate, as there is no definitive answer as to whether the ending is reality or fantasy.
Scorsese does not offer a clear answer but forces each viewer to make up his or her own mind as to how to interpret the film.
Scorsese said that Powell always treated fantasy as no different than reality, and so made fantasy sequences as realistic as possible.
Scorsese suggests that Rupert Pupkin's character fails to differentiate between his fantasies and reality in much the same way.
Scorsese sought to achieve the same with the film so that, in his words, the "fantasy is more real than reality". Rupert Pupkin has been compared to Travis Bickle in Taxi Driver : both characters have serious issues with reality testing that is drawing the line between outer objective and inner subjective reality.
Beck considered The King of Comedy even more dangerous than Taxi Driver due to its lack of blood and gore, as well as the fact that viewers could easily identify with De Niro.
The isolated person. Is Rupert more violent than Travis? From Wikipedia, the free encyclopedia. For the Hong Kong film, see King of Comedy film.
Theatrical release poster. Mitchell was stripped of his records and banned from submitting further scores, and Wiebe was recognized as the first person to score over a million points.
Due to this Mitchell's scores were also removed from the Guinness World Record book. The investigative committee cited footage obtained from the King of Kong DVD special features as instrumental in exposing Mitchell.
In , King of Kong: The Musical , which parodied the characters and events depicted in the documentary began its limited run. A scripted film adaptation is also in the works.
Director Seth Gordon has said that the movie might be a sequel instead of a remake, telling the story of how the documentary changed both men's lives, as well as their continuing rivalry.
From Wikipedia, the free encyclopedia. Not to be confused with A Fistful of Dollars. Theatrical release poster.
Ed Cunningham Luis Lopez J. Release date. Running time. Box Office Mojo. Retrieved 28 February Retrieved Rotten Tomatoes.
Retrieved 2 October CBS Interactive. Village Voice. Archived from the original on Film Threat. The Onion AV Club. Rolling Stone.
Retrieved: June 29, The Washington Post. Time Out New York Issue January 17, Pegasus News. Dallas, TX. Retrieved December 21, Retrieved January 8, Ars Technica.
Retrieved 26 January Nathan Fillion vs Johnny Depp? August 27, Retrieved April 13, Donkey Kong. List of video games. Donkey Kong Jr.
LCD games Jr. Math Donkey Kong Game Boy. Mario vs. Mini-Land Mayhem!